And then he had to jump off the mini-bike and hand off the camera to another grip as he turned around the corner to begin the next part of the shot. And we had the camera handed off to a grip who was on the back of a motorized mini-bike that someone else was driving because they had to keep up with Paul while he was running. We were in the tunnels underneath the prison in Pittsburgh. You know that part of the shot where Sweat comes around a corner and he’s running down the tunnel and starts to go into a full run? To get that shot, it was kinda crazy. And when he’s in that laundry room area when he gets to the first brick wall, that’s in Yonkers, New York, at a waste treatment facility underneath the Saw Mill Parkway. We shot the second part - him actually getting into the basement - in Pittsburgh at an actual prison, in the tunnels underneath this 150-year-old prison. We were handing the camera off through trap doors in the side of the cell, so the camera could be carried in one shot through the hole and then coming down the catwalk and starting to go down the pipes of the catwalk. It’s actually 17 different pieces to make that shot. We built a whole cellblock and the catwalks. But the scene starts in the cellblock, which was a set that we built at Kaufman Astoria Studios in Queens. When he pops out of the manhole cover, he’s coming out of the real manhole cover that they came out of in front of the prison. We did it in two different states and three different cities. And so we thought, Wouldn’t it be great to start out the episode with a version of that GoPro video? When I saw that, I was like, This is crazy. It’s a 17-minute video of the path through the hole in the back of the cell all the way to the manhole. They went through the hole in the cell and they retraced his steps with a GoPro on the forehead of one of the investigators. One of the pieces of research that we found early on was a GoPro video that investigators made a few days after the breakout. That question of why he didn’t go was something we thought about a lot. He could have left, which was fascinating to me. He opened up the manhole, broke the chain on it, popped his head up, and was free. And he actually went further down, all the way to the power plant, and decided that that was too dangerous a place to come out. He got through the pipe and got to the manhole cover. In talking to David Sweat directly and looking through the IG reports, David did break through the night before. It’s all based in the reality of what happened. What inspired it and how you did you plan it out? The opening of “Part 5” is heart-stopping and fascinating to watch, all nine minutes of it. “It was pretty, pretty wild,” Stiller said. He also explained how the scene (which he affectionately called “Sweat’s Run”) wasn’t continuous at all: It was shot in different pieces and places over six months, then stitched together in post-production. In an interview with Vulture, Stiller revealed that the inspiration for the ambitious opening sequence came from a GoPro video shot by investigators. To make the series as realistic as possible - and to recreate Sweat’s test run for the escape - Stiller and creators Brett Johnson and Michael Tolkin pored over an 150-page Inspector General’s report, read interview transcripts, and met with Sweat himself. Sunday’s episode opened with Sweat doing a test run of the escape route from beginning to end. Their elaborate plan, months in the making, involved power tools given to them by prison employee Joyce “Tilly” Mitchell ( Patricia Arquette), with whom both had been sexually entangled: Matt ( Benicio del Toro) and Sweat (Dano) cut holes in the back of their cells, went on to a catwalk which was about six stories high, and drilled through walls, pipes, and tunnels before making their escape, which sparked a three-week manhunt. The Showtime limited series tells the true story of Richard Matt and David Sweat’s 2015 prison break from New York’s largest maximum-security prison, the Clinton Correctional Facility.
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